Patrons frequently ask me how they can hook their kids on books. This makes me thrilled, because if books are your crack then I want to be your dealer! (Drug metaphors work quite well in the literary world. Don’t ask.) Depending on the situation I usually recommend one or more of these resources to feed adults information about nifty books.
- For younger kids, try this booklist.
- The Unshelved Book Club gives you a capsule booktalk in their Sunday comic strip. They’re informative and usually humorous, and their in-house reviewers do a nice job of recommendations. The Sunday strips are a quick way to “sell” a book to a reluctant reader.
- Most folks didn’t realize that the Librarian of Congress got a little crazy & decided to name a National Ambassador for Young People’s Literature. The first one was Jon Scieszka, and his Guys Read concept/website/anthology has inspired lots of people to connect young dudes with awesome books.
- Every young person should be taught by a person like Donalyn Miller. Her book and blog, The Book Whisperer, will point you in the right direction to create a reading culture in your school & home.
- James Patterson is an amazingly best-selling author. He also has a site devoted to helping you pick out great books to share with your shorty, called Read Kiddo Read.
- And last but certainly not least, ALA award winners are great resources for readers. Click here and then click on the radio button for Youth Media Awards.
Baby Read-Aloud Basics (Blakemore & Ramirez)
Between the Lions Book for Parents (Rath & Kennedy)
Every Child Ready to Read (Pesky Learning Center)
Great Books for Boys (Odean)
Great Books for Girls (Odean)
Growing a Reader from Birth (McGuinness)
How to Get Your Child to Love Reading (Codell)
Read All About It (Trelease)
The Read-Aloud Handbook (Trelease)
Reading Magic: Why Reading Aloud to Children Will Change their Lives Forever (Fox)
Start Smart: Building Brain Power in the Early Years (Schiller)
These sites are great, but the most important advice for adults who want their kids to love reading is this: read for yourself, read often, and read in front of your children. Let them see your enjoyment in the printed word. Make time in the family schedule for stories and wordplay. Read aloud, read silently, listen to audiobooks, and reread books that really impress you. Do these things, and I guarantee you will eventually need to send your kids to Book Rehab. (Dr. Drew, if you’re reading this, CALL ME. I totally volunteer to help with the group therapy sessions.)
(better version of this from Penguin’s Digital unit)
Got your mind properly blown yet? (Yes? Good.)
This is just the start of what promises to be a really ground-breaking year of user experience with e-content. In fact, I think we may have to stop calling them e-books. I knew that the iPad would be a game-changing device because of its ability to connect content with video and touch as well as connectivity, but to see its ability to utterly transform content is AMAZING.
I know we’re going to see more of this when the Microsoft Courier makes a debut, and as soon as the Asus eee Pad comes on sale later this year the market will be blown wide open. Just as the touchscreen smartphone became the norm in a little over 2 years, it will take even less time for tablets and “pads” to do the same.
But what else will be transformed? The evaluation of this content is going to be paramount for consumers – a traditional book or media review is not even going to start to cut it for interim consumers stuck between now, where we are in a real Wild West stage of development and innovation and the future, where (hopefully) standards for e-content will emerge… in some way or another. The same e-content could look radically different on one device than it does on another, and lose or gain functionality when ported to yet another.
I’ve said in the past that digital content needs to be device agnostic, and I’m willing to stick to that as an ideal for now. But things are getting very interesting, and it is nearly impossible to deny at this point that the publishing, reviewing, and bookstore/library industries are getting ready to pass through a fundamental change. Will consumers who bought a Nook only three months ago be satisfied once they see what their money could have bought in Apple’s iPad bookstore? Can Kindle fanatics reconcile themselves to plain black and white e-ink when interactivity and animations are available on new-style tablets?
Let’s see what Q2 of 2010 brings.
At our annual Staff Day extravaganza on Columbus Day, Columbus Metropolitan Library‘s director Patrick Losinski gave a nice keynote about today’s library challenges and opportunities. His library concentrates on three key constituencies: young minds, power users, and virtual users. I think these are three sets of people you’d do well to make your primary service groups…
And speaking of power users and virtual users, I’ve kept rounding up the e-reader news & thinking about the issues. Check it out:
Spring Design reader will reportedly feature the Android OS
Mother Jones on ecological aspects of e-reading
Since my last rather ranty post about e-readers & such electronic devices, the field has gotten crowded with competitors and announcements. 2010 is totally going to be the year of the e-reader!
LG’s solar powered reader has promising niche appeal, could be huge in remote/rural places & emerging markets like Africa, etc.
What this all boils down to, of course, is that computing is becoming even more mobile and interactive. Being able to manipulate interfaces directly a la the iPhone makes tablets ultra-droolworthy, and the emergence of a mainstream e-reader market has come from the desire of the contemporary reader to engage with text flexibly & digitally. Our silicon ways (wouldn’t that make a great band name?) have brought us to an interesting juncture – truly ubiquitous computing may be right at our fingertips.
One of the newest trends I’ve been following? Republishing older, public-domain works in installments online. This definitely proves that everything old can be new again! Ranging from the revered and famous to the unknown and pedestrian, people are rediscovering the pleasures of slowly getting a story in bite-sized chunks. Check them out below:
John Quincy Adams’ diary entries brought to you by the Massachusetts Historical Society:
Samuel Pepys can help you relive 1666 all over again:
Dracula is republished in real-time on this blog:
Tail-end of the Great Depression through the eyes of a girl in rural Illinois:
The Orwell Prize is republishing the writer’s diaries in blog form:
If you know of others, let me know and I will add them to this post.
I felt as though, after my last post, I should play more with electronic books so that I can speak from a position of experience. So, I fired up my Kindle app on my iPhone – downloaded only because it was free – and flipped through my purchases, such as they were. I had only downloaded a short story and a few sample chapters, so I had no real experience at extended reading on my phone.
Because I’ve been enjoying the TV show True Blood based on Charlaine Harris’ novels, I decided to try the first in her Sookie Stackhouse series. I had flipped through them years before, and thought I might give them another try. After all, reading tastes change and I needed an “average” book to try out: something I would have bought in paperback, not too long or too short, just an average sort of book in order to get an average experience reading using Kindle.
Well, that was a mistake.
Dead Until Dark was a fun little book. So fun, in fact, I was eager to see what happened next in the series. And with an electronic book, all you have to do is hit the download button. It’s like a direct delivery system for book addicts; Kindle crack, if you will. The rush of instant gratification was a little magical and a little thrilling. There I was, in the backseat of a car, and within moments I was reading the continued tales of a vampire-dating waitress from Louisiana. I was about as happy as a real book lover could possibly be.
But that feeling didn’t last very long after I was done. For me, books are just about as social as anything else in the world. So of course I started thinking of people I would recommend this series to. And I realized that I could recommend all I liked, but that I wouldn’t be able to lend them my copies of the books! I’d have to hand over my phone in order to lend out my “books.” And in my mind, that’s a big loss. One of my big readers’ advisory mantras is that recommendations are only as good as your ability to connect the reader and book as fast as possible. Nobody likes to wait, and there’s a reason why Big Chain Bookstores engage in the “here, let me hand you the merchandise” practice: it cements the deal.
So while the e-book version was convenient for me as a solitary reader, it led me into a dead end. Even if I was able to “gift” my digital copy to another reader, it would still only be able to be read on an iPhone or a Kindle itself. I think the experience left me a little poorer than it found me – although now I’ve read the books, I’m not able to share that with other people unless they are willing to pay about $6.00 and go out to find the books themselves.
I’m inclined to think that this hurts the publishing industry more than it supposedly helps them. I rarely lend out an entire series of books, but I frequently lend the first copy in a series to friends and colleagues who are willing to give them a try. How many subsequent sales does that drive? Also, the price point seemed pretty arbitrary to me. I could pay between $2.00-$6.00 for a used paperback copy for the same book locally, and have the residual value of the physical book left over for sharing, etc. In theory, e-books are so cost-efficient to deliver to the consumer that it totally disrupts the distribution model. You only need one copy of the book on a central server to make a copy of for each reader, so I hope more of the profits would go to the writer (but I strongly suspect this isn’t really the case). And finally, publishers are losing their cheapest form of free advertising. Nobody I encountered that day knew I was sitting there reading Dead Until Dark. They had no clue. When carrying around a physical book in public, I usually get at least basic questions from people I encounter like “is that any good?” or “do you like it?” Now those chance encounters are all closed off.
So in the pros column, we have convenience and portability as well as instant gratification. But in the cons column, I experienced a lot of frustration in trying to share my reading experience. E-books also seem expensive given their limitations and restrictions.
While I won’t be repeating this experience with downloadable audiobooks (I am notoriously unable to listen to books, so it wouldn’t be a fair experiment), I do feel like I’ve gotten more insight on the electronic reading experience. If anyone has thoughts to share, I’d like to hear what you have to say in the comments section.
I spent an hour with a patron the other day trying to figure out why, suddenly, her MP3 player refused to let her listen to audiobooks from one of our vendors. It worked before… and now, it wouldn’t.
She just wanted to lend it to her students, and let them listen. It turns out that the software installed on her player is a huge problem for nearly everyone, and she would have to reformat the player to even attempt to get it to work.
Digital Rights Management, in its current form(s), effectively prevents libraries from delivering the information people want and need. DRM controls how a digital copies of audiobooks, songs, and e-books are decoded by the consumer, and is seen as essential to preserving the rights of creators and distributors. While DRM prevents people from easily copying and distributing these works, it also prevents them from easily consuming them. The industry seems unwilling to agree on a single standard that would work on any device, instead choosing to elaborately encode digital files with competing technology.
And that’s where libraries come in. We are dedicated to bringing patrons the media they want and need, but now find ourselves at a crossroads: there are stories and information out there that are impossible for us to provide to our patrons because of DRM. The perfect example is the novella Ur by Stephen King. Since this story is only available on the Kindle reader from Amazon, we cannot purchase a copy to lend out. Some interpret the Kindle terms of service to mean that you cannot lend the actual device to another person to read the books, which is pretty draconian, but it is certainly well understood that it is a violation of their terms of service to transfer the purchase to another device – in other words, we couldn’t even buy a digital copy of the story to lend out to patrons on their own devices! That’s as ridiculous as telling someone that they are only allowed to read in certain rooms of their house, but it’s roughly the equivalent.
If we come back to my poor patron who could not wrestle her MP3 player’s software into submission, we can also see how DRM can ruin the audiobook experience as well. If you’ve never attempted to borrow a downloadable audiobook from a library, the pitfalls are many: computer issues, device issues, and software issues – oh my!
First, our library blocks downloading at patron computers. That means that when we are attempting to help a patron with their audiobook, we are typically coaching them over the phone or the internet. The process is especially challenging because the patrons may not be computer savvy in the first place, and may need help with basic tasks that are totally foreign to them. Then you have to determine if their cell phone, MP3 player, or other device is compatible with your vendor – we use NetLibrary/Recorded Books and Overdrive between the audiobooks we’ve bought and the ones we get through our State Library. Even if their device is listed as compatible, they may have some sort of strange software pre-installed by the manufacturer that cripples the process. Finally, there is usually some sort of download involved to the end user’s computer in order to translate the DRM coding on the receiving end – and that may not work perfectly and need additional troubleshooting.
While DRM is a component of digital files that can potentially protect copyright and ensure that authors aren’t missing out on hard-earned revenue, the industry has failed in its execution (especially where libraries are concerned). When I hand a(n) (audio)book to a patron, I don’t tell them that they can only read it in their dining room or in the bathtub. They can take it to the beach, listen on their commute, or read in bed for all I care. Using DRM to restrict digital files to certain devices or certain software is the 21st century equivalent of deciding the medieval monks got it right by chaining books to the shelves so nobody would make off with them!
While in the past there might have been merit in standing back and letting the industry develop a standard, as in the VHS vs. Betamax format war of the late 1970s, I don’t think today’s libraries have this luxury. Our patrons are depending on us to deliver information to them that works no matter which device they have purchased, not to sit around waiting to see what sort of highly restricted, totally proprietary system that various publishing industries will invent. It’s not out of the question to imagine Rhapsody and the Sony Reader e-inking an exclusive deal with one set of publishers/record companies, while another set decides to provide content only to Amazon Kindles and iTunes. How would we provide access then?
The future of publishing is content that is device agnostic. We need a standard that allows for both ease in downloading and copy protection. And libraries could make this happen sooner than you think.
If publishers want to know what’s in it for them, I can tell you right now that it’s spelled SALES. Adopt a common currency for distributing media files, make it easy for people to use them, and the money will certainly follow. Libraries are crazy about downloadables anyway because they eliminate the possibility of damage or inevitability of replacement that you get with physical copies of media. (Consumers like all that too, by the way.)
The American Library Association estimates that there are around 123,129 libraries in the United States alone. If each library were to donate just $5 to a common fund, we could start a competition much like the X Prize Foundation. That’s a pot of over $600,000 as a prize for developing the best universal DRM system ready for immediate and cost-effective adoption by the publishing industry. I’m willing to throw in the first Lincoln! I’ve been calling it my private Babel Wish, but I’m open to better suggestions now that I’ve gone public.
We have a professional obligation to collaborate in ways that expand access to knowledge. This would be one powerful way to do it. Are you in?
It’s summer, so you know what that means at the public library… a deluge of kids and parents looking for books! It’s great to see so many people who encourage youth to participate in summer reading. But why is finding the “right” book so difficult? While there are a lot of kids who sit in the aisles happily riffling through pages and browsing away, some parents are stressed about the process. We get requests at the reference desk for books specifically for second graders, and some parents struggle to define the sort of reading that they believe their kids should be doing.
Parents worry that their kids want to read books that don’t seem challenging for them, or that there is a problem because all they want to read is the next in a series, or that they reread books over and over again and are not “making progress.” They would like us, the librarians, to fix the perceived problem by recommending books that will alleviate these deficiencies in their kids’ reading habits.
It’s reassuring and unnerving, I know… but there is no right book. Rereading is perfectly fine. Series fiction is fabulous. Nonfiction titles are legitimate reading. What makes the difference is offering kids a wide variety of reading choices and then stepping back to let them actually choose.
If you think about it, there are few choices that kids get to make that are their very own. Let reading be an activity where they are in the drivers’ seat. Help them find a book that has a story that intrigues them, excites them, scares them, or attracts them in some other fundamental way. Let them read widely if that’s what they’re into right now, or help them find that 100th book about the Titanic or Ancient Egypt or whatever topic they are obsessing about at the moment.
Even more than that, you should be checking out books too. Find a magazine that you like, or a novel of your own to check out as well. Everyone in the family needs to read for pleasure if you want young people to see that reading is an activity with value. They will want to do what they see you doing, so engage in reading alongside your children. Research has even shown that the more time you give kids to simply read for pleasure, not towards a goal or for another purpose, the better readers they become.
So really relax this summer. Don’t make reading a chore, and don’t stress out about it. Just make it part of your daily lives, and encourage young people to read something of their own choosing. Let the library be an enjoyable haven for both you and your kids!